Showing posts with label French. Show all posts
Showing posts with label French. Show all posts

Monday, December 5, 2011

bedtime

I might be getting sick. I'm not surprised because there's definitely something going around. And I haven't been eating well, and keeping my apartment dust-free is a daily battle to which I too often resign to defeat, which won't be much of a help in fighting off any potential illness.

It was my intention to stay up a little later to work on my French term paper -- my very first "graduate" project -- that I am embarrassingly behind on, but if my body is threatening sickness, I'm probably better off fighting it now by getting some sleep.

Scout -- my dear feline companion -- is in heat right now, which might be one of the most annoying things ever. Especially with all the rolling around she does on my couch -- I don't know how or why such a small cat manages to produce so much extra hair (Jenny knows how badly my couch collects pet hair (because she gave me said couch)). When Christmas is over and I'm a little less busy I'm getting her spayed.

Oh yeah, the other day Scout peed in my bathroom sink. Yeah, I was a little mad at her, but I was more amazed than anything that she would know to go in a place where it drains and wouldn't make a huge mess. She's a smart cat. But why she didn't go in her little box is beyond me, she hasn't done anything like that since she was a tiny kitten.

And she seems to enjoy depositing hairballs around my apartment, like the one she left me on my bed last week. Today's hairball -- at the foot of my bed -- was thankfully a bit easier to clean up. The next place I live will have a yard where she can frolic, shed, roll around, throw up, and urinate as she pleases.

A lot of people like to include photos in their blog posts. I do too, most of the time. But only when it really adds something to the post or when the photo is the focus of the post itself. Otherwise, I feel like adding photos is pandering, at least when I do it. Because, for me, blogging has mostly been about writing. Not because I'm good at it, but because, simply, I like writing and I like reading. So even though I could share several photos here -- the piles of dust in my apartment I sweep up so often (aging brick walls are incredibly overrated) or some of Scout's hairballs -- I'm choosing not to include any in this post because sometimes it feels good to just write.

Also, I think some of my neighbors might be drinking, they're being uncharacteristically loud.

Monday, November 14, 2011

poet laureate

I'd be really interested to hear the thoughts of my artist and art loving friends regarding the matter below. I'm not trying to solicit anything here, I'm just genuinely curious.

A couple weeks ago I mentioned that I'm currently enrolled in a French literature class where we study 19th century French theater pieces. The second play we read was called Chatterton by Alfred de Vigny. It's a fictionalized account of a real-life English poet named Thomas Chatterton who lived during the middle of the 18th century. This play depicts the plight of Chatterton, a young man struggling to earn a living as a poet. In the end (spoiler alert), when he fails to do so he kills himself. (According to Wikipedia, the real Chatterton "died of arsenic poisoning, either from a suicide attempt or self-medication for a venereal disease." Either way, tragic.) (Incidentally, his death date is my birthday.)


The Death of Chatterton by Henry Wallis. Poor guy. Image from here.

For every piece we read in this class we're supposed to write a paper expounding upon a theme or topic found in the piece. For Chatterton, one subject my teacher suggested for such a paper was the role of the poet in society. Her opinion is that the poet is a guide for the people, a person who gives inspiration and enlightenment. And in order to produce works of such enlightenment and inspiration, a poet needs time for constant reflection and pondering -- time that should not be lost in the pursuit of earning one's living, as a factory worker, or a cobbler, or a mason, or whatever it was people did for work in the 18th century. Therefore, as a guide for the people, it is then the people's duty -- or really, the government's duty -- to provide for the living of the poet.

Now, in theory, I don't necessarily disagree with that sentiment. While I'm not much of poetry reader, I enjoy literature, fiction, stories -- dare I say? -- more than the next guy. Not only do I find enjoyment in prose, poetry's sibling, I find a great deal of insight, hope, and wisdom therein. There's no doubt that the written word has been vital to my general well being as a human. I very much agree that writers, whatever their medium, contribute much to the enrichment of our society.

This sentiment in practice, however, is a different story. For one, sadly, not everyone in the society to which I belong will like reading as much as I do. I have friends who celebrate how little they read. That's fine, that's OK. They have different interests, to which they are just as entitled, that I will not begrudge them. Maybe, someone can find just as much meaning in, I don't know, football as I find in reading and re-reading some of my favorite books. (The same can be said for music, or photography, or painting, or film, or sculpture, or name your preferred form of art). So, what complex society of such differing interests and passions will support the poet or writer but not the photographer or painter? Or, is it up to society to provide a living for all these supposedly invaluable artists?

Furthermore, in a society whose government supports the poet/writer/guide-of-the-people, who or what determines who gets to be town poet? Let's say that in a society of 100 working adults there'd be room for one poet. The rest of the working population would have to fill the other important posts: baker, grocer, thatcher, tailor, cooper (someone's gotta make the town's barrels), butcher, farmer, and you get the point. But, what if in this same community, there are 10 individuals who want to be town poet but society has the means to provide for only one? What is the fate of the other nine wannabe poets? Do they kill themselves because they think that poetry is the only profession in which they would find success and enjoyment, just like Vigny's version of Thomas Chatteron?

Anyway, I've been wondering about all this lately -- because being town poet would be a pretty sweet job.


Additional Reading: "Distressed Nation Turns To Poet Laureate For Solace"

Tuesday, October 25, 2011

toutes les grandes personnes ont d'abord été des enfants

Le Petit Prince was the first book I read completely in French. Which is not much of a feat because it's a children's book. But children's book or not (I'd describe it as a children's book for adults), it's one of my favorite books -- I've read it a good five or six times.


I would love to own a first edition copy of this book. Image from here.

More than once I've encouraged friends to learn French in order to enjoy this book in its purest form. And more than once I've wanted to read it in English just to see if the feeling is the same. But each time I try I end up feeling like reading it in English would be a waste of time in comparison or that it would somehow cheapen the original French version.

In my nineteenth century French theater class* we just finished reading a piece called On ne badine pas avec l'amour by Alfred de Musset (rough translation of title: Don't Mess Around With Love). At the end of the final scene of the second act is my favorite passage from all that we've read so far this semester:

[M]ais il y a au monde une chose sainte et sublime, c'est l'union de deux de ces êtres si imparfaits et si affreux. On est souvent trompé en amour, souvent blessé et souvent malheureux ; mais on aime, et quand on est sur le bord de sa tombe, on se retourne pour regarder en arrière, et on se dit : J'ai souffert souvent, je me suis trompé quelquefois, mais j'ai aimé. C'est moi qui ai vécu, et non pas un être factice créé par mon orgueil et mon ennui.

I wish I had more French speaking friends with whom I could share such passages. So instead I'll just pretend that you all understood that and enjoyed it as much as I did.


*When I tell people I'm taking a nineteenth century French theater class they usually think it's a performance class. Nope. Sadly, it's merely a literature class.